Parent Company is pleased to announce Oh, it’s my ass and my anus, a solo exhibition by Phoebus Osborne. The exhibition is comprised of an immersive multi-channel video installation that explores underground, interior environments as sites of resistance, intimacy, and imagination. Weaving together footage of limestone caves, cemeteries, bathroom DJ sets, queer beaches, and domestic spaces, the work creates a sensorial field. Within the gallery, sound reverberates and screens and projectors glow, creating a space for reverie for the viewer. The installation insists on interiority—not as a form of withdrawal, but as a radiant space of gathering and potential. 

Descending from the street, visitors are submerged in a choreographed environment of multivalent images and sound. Three projectors and one monitor alternate between simultaneous and staggered play, creating shifting rhythms across the room. At times, all four channels activate at once; at others, only one or two flicker, inviting visitors to follow the movement and engage in a physical, embodied relationship with the work.

The sound score, composed by artist Colin Self, layers together field recordings, fluttering vocals, and a pulsing DJ set. The soundscape echoes and reverberates through the space, generating an immersive sonic realm that both grounds and unsettles. Surrounded by images and sound in flux, you are drawn into states of altered attention and heightened perception. The installation asks you to slow down, to sense through the body, and to inhabit an interior field where porousness and collectivity emerge.

This exhibition offers audiences an invitation to dwell within the underground— a luminous, generative space where marginalized life persists, pulses, and burns as fiercely as the sun itself.